韓國美女沈銀河為MBC拍攝的電視劇集，拍此劇時正是她人氣最旺，青春貌美的時候。加上申賢俊、鄭宇成等大明星的表演。使得本劇頗具人氣。故事講述的是五名美籍韓裔年輕人的感情糾葛。他們的一段段真情告白催人淚下——美籍韓裔的五個青年男女慧卿、江旭、震浩、瑜珍、錫賢，為了尋找親情，為了追逐愛情，或為了躲避牢獄之災，相繼來到韓國。在他們並不熟識的故土，錯綜複雜的感情衝突，險惡恐怖的販毒勢力，理想的破滅，意志的沉淪，把他們帶入愛恨情仇的漩渦。他們呼喚、他們掙扎，他們的一段段真情告白催人淚下—— 慧卿—江旭是你，讓我失去了親人/是你，把我變成這個樣子/我們不該認識/你只會帶給我不幸/但是，你不要以為/因為這些，你就逃避/我離不開你/不知為什麼/我比任何人都愛你 江旭—慧卿震浩對你的愛/是一成不變的/他一直守候在你的身邊/你是否意識到他的重要/你如果被危險的熱情包圍/失去自己最貴重的東西/這會成為你一輩子的傷/一輩子的痛惜 震浩—慧卿江旭既剛毅，又溫柔/誠實可靠，魅力非凡/你大膽地去愛吧，不要害怕/等到你確信愛我的時候/你再回來/如果你愛上他/你也許永遠不能回到我的身邊/我會一直等你/如果我等你成了你的負擔/我就不……

絕讚口碑！日本上映首日滿意度高達92.9% 　　京都◆倫敦◆慢活 　　一個英國女子 　　在大原的有機樂活 　　NHK手作達人凡妮莎現身說法 　　離鄉背井數千公里，她在異鄉遇見了幸福 　　京都大原的山麓鄉間，一處擁有百年以上歷史的古老民宅，住著來自英國的貴族女子凡妮莎。出生於傳統英國貴族家庭，凡妮莎擁有人人欣羨的家世，但她卻對上流社會的虛榮奢華心生厭倦，於是在19歲決定到世界各國旅行，繞了地球大半圈，最後選擇在日本定居、結婚生子。凡妮莎深深受到日本庭園文化的吸引，她融合日本傳統庭園文化與英國鄉村田園風格，在自家庭園種植超過一百種香草，配合季節，在京都大原創造出獨樹一格的四季之庭，歷經波濤萬丈的前半生後，她終於找到屬於自己的慢活人生。本片以如詩般優美的影像，紀錄凡妮莎的人生故事，於日本上映時創下極高滿座率及迴響，凡妮莎手作生活，你也來試一試！

絕讚口碑！日本上映首日滿意度高達92.9% 　　京都◆倫敦◆慢活 　　一個英國女子 　　在大原的有機樂活 　　NHK手作達人凡妮莎現身說法 　　離鄉背井數千公里，她在異鄉遇見了幸福 　　京都大原的山麓鄉間，一處擁有百年以上歷史的古老民宅，住著來自英國的貴族女子凡妮莎。出生於傳統英國貴族家庭，凡妮莎擁有人人欣羨的家世，但她卻對上流社會的虛榮奢華心生厭倦，於是在19歲決定到世界各國旅行，繞了地球大半圈，最後選擇在日本定居、結婚生子。凡妮莎深深受到日本庭園文化的吸引，她融合日本傳統庭園文化與英國鄉村田園風格，在自家庭園種植超過一百種香草，配合季節，在京都大原創造出獨樹一格的四季之庭，歷經波濤萬丈的前半生後，她終於找到屬於自己的慢活人生。本片以如詩般優美的影像，紀錄凡妮莎的人生故事，於日本上映時創下極高滿座率及迴響，凡妮莎手作生活，你也來試一試！

Hao is a preserved flower artist whose Instagram page of his floral studio is celebrating its milestone of hitting 100,000 followers. Jay, his friend who works for an online select shop company, asks him to join their Christmas event. 　　At the pitch meeting, Hao meets Yuan-cheng, the manager of the company, who tells him nonchalantly that he is “allergic to flower, romance, and serendipities.” Later, Hao takes him to Yilan, where they see an old couple, and Hao tells him: “I was raised by my grandparents. They were together for 60 years — a form of love which I hope to restore to our generation.” After a pause, he continues, “You know, preserved flowers (eternal flowers in Chinese) are allergy-free.” Yuan-cheng falls silent, but at length admits that he is intrigued. He formally invites Hao and his flowers into his life and business, saying, “We’ll be seeing each other a lot during the next four weeks…”

Hao is a preserved flower artist whose Instagram page of his floral studio is celebrating its milestone of hitting 100,000 followers. Jay, his friend who works for an online select shop company, asks him to join their Christmas event. 　　At the pitch meeting, Hao meets Yuan-cheng, the manager of the company, who tells him nonchalantly that he is “allergic to flower, romance, and serendipities.” Later, Hao takes him to Yilan, where they see an old couple, and Hao tells him: “I was raised by my grandparents. They were together for 60 years — a form of love which I hope to restore to our generation.” After a pause, he continues, “You know, preserved flowers (eternal flowers in Chinese) are allergy-free.” Yuan-cheng falls silent, but at length admits that he is intrigued. He formally invites Hao and his flowers into his life and business, saying, “We’ll be seeing each other a lot during the next four weeks…”

十岁少年赵立冬在暑期回到旬邑农村老家，和爷爷赵三水一同生活，增长国防知识，以及看到乡村振兴给农村带来的变化。并与当地小伙伴们结下深厚友谊，一起探索神秘的赵家洞,理解了爷爷坚守赵家洞的使命，激发爱国情怀的故事。

十岁少年赵立冬在暑期回到旬邑农村老家，和爷爷赵三水一同生活，增长国防知识，以及看到乡村振兴给农村带来的变化。并与当地小伙伴们结下深厚友谊，一起探索神秘的赵家洞,理解了爷爷坚守赵家洞的使命，激发爱国情怀的故事。

A man is Skyping to the other side of the world. He discovers a firefly and shows it to his partner.

A man is Skyping to the other side of the world. He discovers a firefly and shows it to his partner.

Meltwater flowing down the mountainside becomes a wild, churning river. Silhouettes battle desperately against the rushing water so as not to be swallowed up. Vast cloudscapes glide at speed over the Armenian highlands. 　　In this, his last collaboration with cameraman Mikhail Vartanov, Artavazd Pelechian captures a reclusive peasant community in its unceasing battle with the elements. In spring, they migrate into the mountains with their herds. When summer ends they harvest the hay—creating a dusty avalanche of bales. In winter, it is the shepherds themselves, hanging on to their sheep, who roll down the mountains in the snow. Accompanied by Vivaldi’s The Four Seasons, these highland dwellers perform feats of pure survival. 　　This is humanity, trapped in a brutal but stunningly beautiful existence. To the melodic rhythms of camerawork, montage, and a lyrical score, Pelechian and Vartanov elevate it into a full-blown symphony—a symphony of being.